Narcisco Rodriguez - All of Me
Art Direction
The Louis Vuitton High Jewelry DEEP TIME campaign highlights the collection’s exquisite craft and stands as a celebration of the ever evolving multi-faceted spirit of the LV Woman.
The jewelry, representing a spectacular journey through time and into the future, is reflected by the radiance of muse Ana de Armas, a bold performer at the height of her powers. Key visuals shot in studio by renowned photographer Sølve Sundsbø allow the jewelry to confidently speak for itself with a sense of effortless modernity.
The accompanying film and social content explore and play with the very concept of time. As light and shadow display the glittering craftsmanship of the collection, the viewer is taken on a thrilling journey through the past, present and beyond with Deep Time.
Fabien Baron left:
Works 1983-2019
Left The first book to offer an overview of the creative work of Fabien Baron spanning 30 years. A vast inventory of images is sequenced and arranged aesthetically, rather than chronologically or autobiographically, illustrating visual themes that recur organically throughout Baron’s work. A mixture of the historic with the new and the commercial with in-depth creative explorations, provides a rare glimpse inside the mind of a true design, photography, and fashion visionary.
Baron explores juxtapositions of time, theme, and subject matter across all types of media: photography, film, magazines, drawings, sculpture, typography and industrial design. The interplay of these images form an aesthetic logic that is purely Baron’s - a vocabulary of recurring motifs running through over three decades of groundbreaking work. Published by Phaidon, the design of the volume, its materials and composition, is a further extension of the multidisciplinary practice of its subject. The text contains an in-depth conversation between Baron and the celebrated writer and essayist Adam Gopnik along with a forward by long-standing collaborator and muse Kate Moss.
"Some of these images and objects were made on assignment, some as artistic explorations, but I believe that my mind and eye – that everyone’s mind and eye-- functions the same way in either mode. We make our work... and then it reveals itself to have been organized all along around the same themes.”
Baron’s previous published works include the volume Liquid Light 1983-2003, a collection of seascape photography with an introduction by writer and editor Glenn O’Brien, published by Steidl. Monuments, a visual exploration of the frozen coastline of Greenland, followed in 2014. Commissioned by Moncler, the exhibition was presented at Frieze London, and in an accompanying catalogue with text by critic and lecturer Paul Goldberger.
Fabien Baron middle:
Works 1983-2019
Middle The first book to offer an overview of the creative work of Fabien Baron spanning 30 years. A vast inventory of images is sequenced and arranged aesthetically, rather than chronologically or autobiographically, illustrating visual themes that recur organically throughout Baron’s work. A mixture of the historic with the new and the commercial with in-depth creative explorations, provides a rare glimpse inside the mind of a true design, photography, and fashion visionary.
Baron explores juxtapositions of time, theme, and subject matter across all types of media: photography, film, magazines, drawings, sculpture, typography and industrial design. The interplay of these images form an aesthetic logic that is purely Baron’s - a vocabulary of recurring motifs running through over three decades of groundbreaking work. Published by Phaidon, the design of the volume, its materials and composition, is a further extension of the multidisciplinary practice of its subject. The text contains an in-depth conversation between Baron and the celebrated writer and essayist Adam Gopnik along with a forward by long-standing collaborator and muse Kate Moss.
"Some of these images and objects were made on assignment, some as artistic explorations, but I believe that my mind and eye – that everyone’s mind and eye-- functions the same way in either mode. We make our work... and then it reveals itself to have been organized all along around the same themes.”
Baron’s previous published works include the volume Liquid Light 1983-2003, a collection of seascape photography with an introduction by writer and editor Glenn O’Brien, published by Steidl. Monuments, a visual exploration of the frozen coastline of Greenland, followed in 2014. Commissioned by Moncler, the exhibition was presented at Frieze London, and in an accompanying catalogue with text by critic and lecturer Paul Goldberger.
Fabien Baron right:
Works 1983-2019
Right The first book to offer an overview of the creative work of Fabien Baron spanning 30 years. A vast inventory of images is sequenced and arranged aesthetically, rather than chronologically or autobiographically, illustrating visual themes that recur organically throughout Baron’s work. A mixture of the historic with the new and the commercial with in-depth creative explorations, provides a rare glimpse inside the mind of a true design, photography, and fashion visionary.
Baron explores juxtapositions of time, theme, and subject matter across all types of media: photography, film, magazines, drawings, sculpture, typography and industrial design. The interplay of these images form an aesthetic logic that is purely Baron’s - a vocabulary of recurring motifs running through over three decades of groundbreaking work. Published by Phaidon, the design of the volume, its materials and composition, is a further extension of the multidisciplinary practice of its subject. The text contains an in-depth conversation between Baron and the celebrated writer and essayist Adam Gopnik along with a forward by long-standing collaborator and muse Kate Moss.
"Some of these images and objects were made on assignment, some as artistic explorations, but I believe that my mind and eye – that everyone’s mind and eye-- functions the same way in either mode. We make our work... and then it reveals itself to have been organized all along around the same themes.”
Baron’s previous published works include the volume Liquid Light 1983-2003, a collection of seascape photography with an introduction by writer and editor Glenn O’Brien, published by Steidl. Monuments, a visual exploration of the frozen coastline of Greenland, followed in 2014. Commissioned by Moncler, the exhibition was presented at Frieze London, and in an accompanying catalogue with text by critic and lecturer Paul Goldberger.
